![]() However, I found Blade Runner 2049‘s visuals superb too so I’m not sure what the difference is. Whilst I haven’t wholly changed my views on IMAX’s suitability as a medium for narrative cinema, I am pretty sure this anime benefited from the eyeball-encompassing space facilitated by the large screen: it is an exceptionally beautiful film. As Weathering With You was limited to one screening in Bradford I’m grateful to my daughter for insisting we go, despite my reservations. ![]() I have found it difficult to know where to look on the IMAX space and this uncertainty interrupts the flow of the filmic experience. The last film I saw on the big screen format was Blade Runner 2049 which seemed to me to be diminished by the large screen. Weathering With Me is even better, though I’m not sure how much my delight in the latter film was influenced by seeing it on an IMAX screen. ![]() I only recently caught Shinkai Makoto’s much lauded Your Name ( Kimi no na wa, Japan, 2016) whose gender-swapping premise, mixed with natural disasters, was a fascinating mix of teen pic and SF. An Elephant Sitting Still (Da xiang xi di er zuo, China, 2018). ![]() Redoutable (Le Redoutable, France-Myanmar, 2017).The Day After I’m Gone (Israel-France, 2019).The Truth (La vérité, France-Japan, 2019). ![]()
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